Adobe premiere pro 2.0 mkv
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I understand that DNxHR RGB 444 10 bits is probably my best bet for that because of the almost lossless quality, it works very good for editing purposes, and I won't have to worry about sync problems since I would be editing on the file itself (not proxy). I went for DNxHR RGB 444 10 bits, because I gave up with proxies and wanted to use that one as the source file (in other words, the final export would be done using the DNxHR file as source file, not the original footage). Another useful info: file sizes are not an issue for me. So I went for a not long-GOP format that keeps the hdr data, that's as lossless as it can be, that works well while editing, and cbr so hopefully it doesn't produce this sync problem. My guess is that it's because Prores is vbr and my footage is cbr, and that somehow may cause this sync problem. When I toggle proxies on and off you can see that the original file is not synced with the proxy (and like by 2 - 4 seconds, both video and audio), so it's useless for editing in my case. I tried with every version of Prores as Proxies, but I couldn't fix a sync issue. Here are my questions/issues:ฤก) I want my original files to remain cbr, for streaming stability purposes and because I've read that using vbr with hdr can make some dark areas look not as good as they should. So the file is fine for hdr, but since it's a long-GOP format I wanted to transcode it to another (hopefully) lossless format that also works well while editing, without losing any of the hdr required settings. Maybe Mediainfo is too sensitive sometimes, because I understand that there's no such thing as a perfect cbr file). I looked into that HEVC file using Mediainfo and it says that it's in fact HEVC, Main 10, Level 5, 15.6 mb/s video bitrate (the same as the original mkv file), chroma subsampling 4:2:0, Color space YUV, bit depth 10 bits and BT.2020, but variable bitrate (I don't know why since ffmpeg just copied the stream of the mkv file, which showed as cbr. It has two audio streams and subtitles, so to be able to work with it in Pr without losing quality and suffering long encoding times, I "extracted" the video and one audio stream to a single HEVC file (for that purpose I used ffmpeg, just copied the streams, no encoding involved). It's in a mkv container, and it's UHD, codec h.265 10 bit.
#Adobe premiere pro 2.0 mkv movie#
A little info: my source file is a movie rip I made a while ago using Handbrake.
#Adobe premiere pro 2.0 mkv how to#
I don't mind those limitations too much, but it's been a little difficult for me to know how to actually work with these footages. I know the limitations Pr has with showing hdr content on its internal monitors, but I understand that you can import and export hdr content that retains all of the color data. Samsung SSD 970 Pro 512 GB for OS installation.
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Sadly, an sdr monitor yet (but the rest of the hardware, specially the cpu, is a beast). Motherboard: Asus ROG Zenith Extrema Alpha I have a few questions (I want to explain the issues in detail, so please bear with me, and also with my english ) I've been using Adobe Premiere Pro for a while, and now I want to start editing and exporting in UHD HDR.